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Durham Cathedral and Castle (about 1800) reproduction of painting by Thomas Girtin. ALL GICLEE PRINTS
Durham Cathedral and Castle (about 1800) reproduction of painting by Thomas Girtin. ALL GICLEE PRINTS

Durham Cathedral and Castle (about 1800)

Thomas Girtin
Technique: Giclée quality print
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"Durham Cathedral and Castle (about 1800)" is a captivating watercolor painting by the accomplished English artist, Thomas Girtin. This artwork eloquently captures the historic and architectural grandeur of Durham, featuring the iconic Durham Cathedral and the adjacent Castle, monumental structures that have dominated the city's skyline for centuries.In the painting, Girtin masterfully depicts the rugged terrain and the serene River Wear that curves gracefully around the city. The foreground displays the Framwellgate Bridge, an arched stone bridge that crosses the river, guiding the viewer's eye towards the majestic Cathedral and Castle that rise formidably on the hill above. The play of light and shadow, combined with the naturalistic rendering of the water and sky, evokes a sense of tranquility and timelessness.Girtin's refined use of watercolor highlights the textural contrasts between the ethereal sky, the fluid river, and the solid, enduring presence of the medieval architecture.

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Thomas Girtin
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Thomas Girtin was an English watercolourist and etcher. A friend and rival of J. M. W. Turner, Girtin played a key role in establishing watercolour as a reputable art form.

Thomas Girtin was born in Southwark, London, the son of a wealthy brushmaker of Huguenot descent. His father died while Thomas was a child, and his mother then married a Mr Vaughan, a pattern-draughtsman. Girtin learnt drawing as a boy (attending classes with Thomas Malton), and was apprenticed to Edward Dayes (1763–1804), a topographical watercolourist. He is believed to have served out his seven-year term, although there are unconfirmed reports of clashes between master and apprentice, and even that Dayes had Girtin imprisoned as a refractory apprentice. Certainly Dayes did not appreciate his pupil's talent, and he was to write dismissively of Girtin after his death.

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