Marino, Grandes Fabriques Au Sommet De Rochers

Technique: Giclée quality print
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More about this artwork

Jean-Baptiste-Camille Corot, a pivotal figure in landscape painting, invites viewers into a harmonious blend of nature and architecture with his artwork titled 'Marino, Grandes Fabriques Au Sommet De Rochers'. This painting depicts the rugged beauty of Marino, located in the hills outside Rome, an area that inspired many artists during the 19th century.In this composition, Corot masterfully portrays towering, weather-worn structures perched precariously atop rocky cliffs. The buildings, rendered in muted tones of brown and gray, starkly contrast with the lush greenery that envelops the rocky slopes. This blend of the constructs of man with the wild, natural landscape draws attention to the ancient relationship between human settlement and nature.The foreground is dominated by vibrant strokes of green and earthy browns, showcasing Corot’s deft handling of color and texture to depict the rich vegetation. As the viewer’s eye moves towards the background, the landscape opens up to reveal a verdant valley stretching under a wide, tranquil sky. The distant hills fade softly into the horizon, suggesting the vastness and the serene beauty of the countryside.Corot’s technique, marked by loose brushwork and an atmospheric quality, allows the viewer to sense the quietness and the timeless charm of Marino.

Delivery

Reproductions are made to order and take 5 to 7 working days.

We send them out by courier and delivery takes another two working days.

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Returns

Yes, reproductions can be returned.

If you have any doubts more than 30 days after the date of purchase, please contact us - we will take the reproduction back for a refund or offer you a replacement!

We accept a maximum of two returns per customer - please note that we make reproductions to order, so please choose responsibly.

We do not refund shipping expenses.

Jean-Baptiste-Camille Corot was a French landscape and portrait painter as well as a printmaker in etching. He is a pivotal figure in landscape painting and his vast output simultaneously references the Neo-Classical tradition and anticipates the plein-air innovations of Impressionism.