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Madame Monet Embroidering (Camille au métier) (1875) reproduction of painting by Oscar-Claude Monet. ALL GICLEE PRINTS
Madame Monet Embroidering (Camille au métier) (1875) reproduction of painting by Oscar-Claude Monet. ALL GICLEE PRINTS

Madame Monet Embroidering (Camille au métier) (1875)

Oscar-Claude Monet
Technique: Giclée quality print
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Explore Oscar-Claude Monet's painting titled "Madame Monet Embroidering" (Camille au métier), crafted in 1875. This stunning work captures Monet's wife, Camille, engaged in the delicate art of embroidery. The scene is set on a veranda surrounded by lush greenery, infusing the composition with a vibrant, peaceful ambiance.The focal point of the painting is Camille herself, dressed in a flowing teal gown that harmonizes beautifully with the natural tones around her. She is absorbed in her task, her face bent towards the embroidery frame, demonstrating Monet's skill in depicting concentration and tranquility. The play of light through the leaves creates a dappled effect on her dress and on the various surfaces around her, showcasing Monet's masterful handling of light and color.Around Camille, the flora suggests a comfortable, serene domestic space, open yet private. A sense of immediacy and candidness pervades the artwork, inviting viewers into a personal moment within the Monet household.

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Artist
Oscar-Claude Monet
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Oscar-Claude Monet was a founder of French Impressionist painting, and the most consistent and prolific practitioner of the movement's philosophy of expressing one's perceptions before nature. Monet's ambition of documenting the French countryside led him to adopt a method of painting the same scene many times in order to capture the changing of light and the passing of the seasons. From 1883 Monet lived in Giverny, where he purchased a house and property, and began a vast landscaping project which included lily ponds that would become the subjects of his best-known works. In 1899 he began painting the water lilies, first in vertical views with a Japanese bridge as a central feature, and later in the series of large-scale paintings that was to occupy him continuously for the next 20 years of his life.

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