La vallée du vert à Labastide-du-Vert (circa 1920)

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Henri Martin's enchanting landscape, "La vallée du vert à Labastide-du-Vert," invites viewers to a serene and picturesque village nestled in a lush valley, depicted in his signature Post-Impressionist style. Painted circa 1920, this art piece showcases Martin's fascinating use of color and light, capturing a moment frozen in time in the south of France.The painting is composed with a lively mosaic of vibrant stippled brushstrokes, a technique reminiscent of pointillism, which gives the landscape a dreamlike texture and depth. In the foreground, winding pathways delicately guide the eyes through varied shades of green meadows speckled with yellow and orange hints of wildflowers. This gentle introduction leads to a quaint village, characterized by rustic houses with traditionally steep roofs, hidden among tall, slender cypress trees that stretch skyward.Further enhancing the scene’s serenity, the background of the painting features rolling hills and a dense cover of forest trees, rendered in a harmony of blues and greens which subtly recede into the horizon. The sky, though scarcely visible, offers a soft, bright canvas that suggests the freshness of an early morning light, enhancing the peaceful essence of the village below.Through "La vallée du vert à Labastide-du-Vert," Henri Martin not only reveals his mastery over color and form but also transports us to a timeless haven, reflecting his own love for the tranquil landscapes of his homeland.

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Henri-Jean Guillaume "Henri" Martin (5 August 1860 – 12 November 1943) was a French painter. Elected to the Académie des Beaux-Arts in 1917, he is known for his early 1920s work on the walls of the Salle de l'Assemblée générale, where the members of the Conseil d'État meet in the Palais-Royal in Paris. Other notable institutions that have featured his Post-Impressionist paintings in their halls through public procurement include the Élysée Palace, Sorbonne, Hôtel de Ville de Paris, Palais de Justice de Paris, as well as Capitole de Toulouse, although the Musée des Beaux-Arts de Bordeaux and Musée des Augustins also have sizeable public collections.