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The Rue Montorgueil in Paris. Celebration of June 30, 1878 (1878) reproduction of painting by Oscar-Claude Monet. ALL GICLEE ...
The Rue Montorgueil in Paris. Celebration of June 30, 1878 (1878) reproduction of painting by Oscar-Claude Monet. ALL GICLEE ...

The Rue Montorgueil in Paris. Celebration of June 30, 1878 (1878)

Oscar-Claude Monet
Technique: Giclée quality print
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Celebrate the vibrancy and color of Paris with Oscar-Claude Monet's captivating painting, "The Rue Montorgueil in Paris. Celebration of June 30, 1878." This masterpiece captures a joyous moment on a bustling Parisian street during a national holiday, exuding the sense of celebration and communal joy that filled the air.Monet’s use of quick, dappled brushstrokes creates a dynamic scene teeming with people. The spectrum of bright, fluttering flags contrasts sharply with the softer blues and whites of the sky, bringing the urban landscape to life. Dense crowds fill the street, their faces blurred and indistinct, which allows the viewer to feel the movement and energy sweeping through the Rue Montorgueil. Above, the vivid red, white, and blue of French flags ripple, portraying a sense of national pride and festive excitement.This painting is not just a visual delight; it is a historical artifact that captures the essence of French national spirit in the late 19th century. Monet's technique and perspective invite you to step into the crowd, to revel in the festivity, and to experience the unity and pride of that significant day.

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Oscar-Claude Monet
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Oscar-Claude Monet was a founder of French Impressionist painting, and the most consistent and prolific practitioner of the movement's philosophy of expressing one's perceptions before nature. Monet's ambition of documenting the French countryside led him to adopt a method of painting the same scene many times in order to capture the changing of light and the passing of the seasons. From 1883 Monet lived in Giverny, where he purchased a house and property, and began a vast landscaping project which included lily ponds that would become the subjects of his best-known works. In 1899 he began painting the water lilies, first in vertical views with a Japanese bridge as a central feature, and later in the series of large-scale paintings that was to occupy him continuously for the next 20 years of his life.

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