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The Japanese bridge (1919-1924) reproduction of painting by Oscar-Claude Monet. ALL GICLEE PRINTS
The Japanese bridge (1919-1924) reproduction of painting by Oscar-Claude Monet. ALL GICLEE PRINTS

The Japanese bridge (1919-1924)

Oscar-Claude Monet
Technique: Giclée quality print
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Art enthusiasts will find themselves transported to a serene yet complex landscape through Claude Monet's striking work, "The Japanese Bridge" (1919-1924). This painting is a nuanced portrayal of Monet's famous lily pond and arched bridge at his Giverny garden, rendered with a masterful application of color and light. In this piece, Monet’s use of rich, vivid hues and varied brushstrokes captures the lush abundance of the garden and the tranquil impression it made on him.At the center, the arched bridge itself, bonded by nature and somewhat obscured by foliage, adopts an ephemeral quality, blending seamlessly into the surrounding flora. Monet’s preference for capturing the natural world does not merely communicate the visual accuracy but conveys the atmosphere and essence of the moment. The dappling greens, blues, and hints of red invite viewers to not only look but to feel the coolness of the shade and the quietness of Monet’s haven.This late work of Monet, during which he was grappling with diminishing eyesight, shows a departure from precise representation to a more abstracted form, where sensation and color overtake clear lines.

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Oscar-Claude Monet
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Oscar-Claude Monet was a founder of French Impressionist painting, and the most consistent and prolific practitioner of the movement's philosophy of expressing one's perceptions before nature. Monet's ambition of documenting the French countryside led him to adopt a method of painting the same scene many times in order to capture the changing of light and the passing of the seasons. From 1883 Monet lived in Giverny, where he purchased a house and property, and began a vast landscaping project which included lily ponds that would become the subjects of his best-known works. In 1899 he began painting the water lilies, first in vertical views with a Japanese bridge as a central feature, and later in the series of large-scale paintings that was to occupy him continuously for the next 20 years of his life.

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