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Temple at Mismiyeh, Syria (1868) reproduction of painting by Frederic Edwin Church. ALL GICLEE PRINTS
Temple at Mismiyeh, Syria (1868) reproduction of painting by Frederic Edwin Church. ALL GICLEE PRINTS

Temple at Mismiyeh, Syria (1868)

Frederic Edwin Church
Technique: Giclée quality print
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Frederic Edwin Church's 1868 artwork, "Temple at Mismiyeh, Syria," presents viewers with a spellbinding sketch of the remnants of an ancient temple. The drawing captures the essence of the historic architecture in careful detail, showcasing Church’s admiration for the beauty and grandeur of bygone civilizations. Rendered on a warm-toned background, the temple stands partially in ruins, its façade adorned with classical columns and intricate decorative elements that offer a glimpse into its majestic past.The artwork vividly portrays the effects of time on grand structures; crumbling fragments of stone are scattered around the base, while the remaining walls still proudly display their architectural beauty. This image is not only a reflection of Church's remarkable prowess in conveying material textures and historical detail but also serves as a contemplative piece on the impermanence of human achievements. The presence of a lone figure seated amidst the ruins further emphasizes a quiet reverence and the enduring allure of ancient sites.

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Frederic Edwin Church
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Frederic Edwin Church (May 4, 1826 – April 7, 1900) was an American landscape painter born in Hartford, Connecticut. He was a central figure in the Hudson River School of American landscape painters, best known for painting large landscapes, often depicting mountains, waterfalls, and sunsets. Church's paintings put an emphasis on realistic detail, dramatic light, and panoramic views. He debuted some of his major works in single-painting exhibitions to a paying and often enthralled audience in New York City. In his prime, he was one of the most famous painters in the United States.

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