Tree trunk (1865)

Technique: Giclée quality print
Recommended by our customers
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More about this artwork

"Tree Trunk" (1865) by Frederic Edwin Church is a compelling oil painting that captures a detailed and intimate view of nature, specifically focusing on the robust trunk of a tree within a tranquil forest environment. This painting showcases Church’s meticulous attention to texture and natural color, illustrating the strength and resilience inherent in the natural world.The trunk, scored by horizontal lines and swirls of rich brown and red hues, stands starkly at the center, suggesting its enduring presence. Around the base of the tree, small green shrubs and plants nestle against the earth, adding a touch of liveliness to the scene. The background, softly rendered in muted tones of green and yellow, hints at a dense forest filled with hidden depths and mysteries.This piece is a beautiful example of Church’s ability to focus not just on the grandiose landscapes for which he is best known, but on the quiet and often overlooked details of nature that hold their own unique beauty and significance.

Delivery

Reproductions are made to order and take 5 to 7 working days.

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Returns

Yes, reproductions can be returned.

If you have any doubts more than 30 days after the date of purchase, please contact us - we will take the reproduction back for a refund or offer you a replacement!

We accept a maximum of two returns per customer - please note that we make reproductions to order, so please choose responsibly.

We do not refund shipping expenses.

Frederic Edwin Church (May 4, 1826 – April 7, 1900) was an American landscape painter born in Hartford, Connecticut. He was a central figure in the Hudson River School of American landscape painters, best known for painting large landscapes, often depicting mountains, waterfalls, and sunsets. Church's paintings put an emphasis on realistic detail, dramatic light, and panoramic views. He debuted some of his major works in single-painting exhibitions to a paying and often enthralled audience in New York City. In his prime, he was one of the most famous painters in the United States.