‘And now they never meet in grove or green,’ from act 2, scene 1 of A Midsummer Night’s Dream by William Shakespeare (1908)

Technique: Giclée quality print
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More about this artwork

Arthur Rackham, renowned for his enchanting and subtly colored illustrations of fantasy and folklore, brings another magical scene to life in his depiction of a moment from William Shakespeare's play, _A Midsummer Night's Dream_. Titled “And now they never meet in grove or green,” this painting draws from the whimsical dialogue and atmosphere of Act 2, Scene 1, capturing the otherworldly essence of the play.The artwork features a beautiful, ethereal atmosphere with a muted palette that enhances the dreamlike quality of the scene. At the foreground, we see two central figures that appear to be in the midst of a momentous conversation. The female figure, possibly representing Titania, the Fairy Queen, is adorned with a crown and draped in flowing robes of blue and green, colors that harmonize with the natural surroundings. Opposite her stands a proud, poised figure, likely Oberon, the Fairy King, who is clad in regal reds and browns. Both characters exude an air of majesty and tension between regal presence and personal conflict.Surrounding these central figures is an ensemble of smaller fairy folk, imbued with charm and diminutive grace, which is a signature element in many of Rackham’s works. They enhance the scene's mystical aura, interacting gently with the environment and adding a touch of playful whimsy.The background is sketched with swirling clouds and a blustery wind that seems to sweep across the moor-like landscape, suggesting both the turmoil and the sweeping changes occurring in the fairy realm and mirrored in the human world. The twisted, sparse tree adds a sense of age and wisdom to the scene.

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Arthur Rackham (19 September 1867 – 6 September 1939) was an English book illustrator. He is recognised as one of the leading figures during the Golden Age of British book illustration. His work is noted for its robust pen and ink drawings, which were combined with the use of watercolour, a technique he developed due to his background as a journalistic illustrator.