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Composition No. I, with Red and Black (1929) reproduction of painting by Piet Mondrian. ALL GICLEE PRINTS
Composition No. I, with Red and Black (1929) reproduction of painting by Piet Mondrian. ALL GICLEE PRINTS

Composition No. I, with Red and Black (1929)

Piet Mondrian
Technique: Giclée quality print
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Discover the pure abstraction and bold simplicity in Piet Mondrian's 1929 masterpiece, "Composition No. I, with Red and Black." This painting exemplifies the artist’s iconic style, characterized by a grid of vertical and horizontal lines that segment the canvas into distinct blocks.In this work, Mondrian uses a limited palette of colors—vivid red and stark black—against a background of pristine white. The composition is balanced yet dynamic, with the large red square at the top left creating a striking visual focus. This is contrasted by smaller blocks of black and white that embody Mondrian's quest for visual harmony through the use of primary colors and non-colors."Composition No. I, with Red and Black" is not just a painting; it is a philosophical statement in Mondrian's artistic journey towards what he called Neoplasticism or De Stijl—a movement that sought to express the universal through the absolute simplicity of form and color.We invite you to delve into the depth of Mondrian's work, a journey that transcends the visual to touch on the profound notions of balance and the essential dynamics between the elements.

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We send them out by courier and delivery takes another two working days.

If you need a reproduction sooner, please contact us - we can usually find a solution and produce it a little faster.

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We accept a maximum of two returns per customer - please note that we make reproductions to order, so please choose responsibly.

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Piet Mondrian
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Pieter Cornelis Mondriaan, was a Dutch painter and theoretician who is regarded as one of the greatest artists of the 20th century. He is known for being one of the pioneers of 20th-century abstract art, as he changed his artistic direction from figurative painting to an increasingly abstract style, until he reached a point where his artistic vocabulary was reduced to simple geometric elements.

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