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The Hypostyle Hall of the Great Temple at Abu Simbel, Egypt (1849) reproduction of painting by David Roberts. ALL GICLEE PRINTS
The Hypostyle Hall of the Great Temple at Abu Simbel, Egypt (1849) reproduction of painting by David Roberts. ALL GICLEE PRINTS

The Hypostyle Hall of the Great Temple at Abu Simbel, Egypt (1849)

David Roberts
Technique: Giclée quality print
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David Roberts' painting, "The Hypostyle Hall of the Great Temple at Abu Simbel, Egypt" (1849), captures the awe-inspiring interior of one of Ancient Egypt's monumental treasures. This meticulous work presents a detailed view of the grand columns and intricate wall carvings that define the iconic temple dedicated to Ramesses II. Each pillar is adorned with towering figures of the pharaoh, depicted in the traditional pose of crossed arms holding symbols of rulership, emphasizing the divine and royal essence of the space.The scene is filled with ambient colors and textures with the hall's ceiling and walls showcasing vibrant ancient frescoes and hieroglyphics, rendered in earthy tones that speak to the age and sanctity of the place. Roberts masterfully introduces a human scale and connection through the inclusion of figures in traditional and European attire of the 19th century, some engaged in study and others in rest, creating a juxtaposition between the ancient world and the explorative zeal of the modern era.This painting not only highlights the majestic architectural achievements of Ancient Egypt but also serves as a reminder of the continuous human fascination with heritage and the lengths we go to uncover, study, and preserve our collective past.

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Artist
David Roberts
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David Roberts (24 October 1796 – 25 November 1864) was a Scottish painter. He is especially known for The Holy Land, Syria, Idumea, Arabia, Egypt, and Nubia, a prolific series of detailed lithograph prints of Egypt and the Near East that he produced from sketches he made during long tours of the region (1838–1840). These and his large oil paintings of similar subjects made him a prominent Orientalist painter. He was elected as a Royal Academician in 1841.

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