The coffee shop. (1846-1849)

Technique: Giclée quality print
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More about this artwork

David Roberts' evocative painting "The Coffee Shop," created between 1846 and 1849, offers a detailed glimpse into the daily life and social dynamics of a Middle Eastern coffee shop in the mid-19th century. This captivating artwork is characterized by its vibrant depiction of communal interaction and architectural beauty.In "The Coffee Shop," Roberts portrays a lively scene set under the arches of an elegantly constructed building. The shaded portico provides relief and a communal space for the patrons, who are shown engaging in various activities. Men in traditional attire, including turbans and flowing robes, gather around small tables, some seated on chairs, while others sit directly on the ground, indicating a casual, inclusive setting.The focal point is undoubtedly the central group where coffee and possibly other refreshments are being served or consumed. A standing figure appears to be conversing or ordering from a vendor, who is handling what seem to be cups or utensils. Nearby, another group is absorbed in conversation, highlighting the coffee house as a social hub.Additional details enrich the scene further; a person leans against the fountain at the center, perhaps a subtle nod to the coffee shop as a place of respite and refreshment. In the foreground, other individuals engage in discussions or enjoy solitary moments, suggestive of the coffee shop's role in fostering both community ties and personal reflection.David Roberts' fine attention to detail, from the architectural elements to the varied postures and expressions of the figures, invites viewers to step into a world where the coffee shop serves as a microcosm of larger societal interactions.

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David Roberts (24 October 1796 – 25 November 1864) was a Scottish painter. He is especially known for The Holy Land, Syria, Idumea, Arabia, Egypt, and Nubia, a prolific series of detailed lithograph prints of Egypt and the Near East that he produced from sketches he made during long tours of the region (1838–1840). These and his large oil paintings of similar subjects made him a prominent Orientalist painter. He was elected as a Royal Academician in 1841.