From under the Portico of the Temple of Edfu, Upper Egypt

Technique: Giclée quality print
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More about this artwork

David Roberts, a celebrated Scottish painter and one of the pioneering Orientalists, captures the grandeur of ancient Egyptian architecture in his evocative painting "From under the Portico of the Temple of Edfu, Upper Egypt." Created during his journey through the region in 1838, this artwork portrays a breathtaking view beneath the massive portico of the Edfu temple, dedicated to the falcon god Horus.In this watercolor, Roberts skillfully uses light and shade to create a profound sense of depth and scale. The viewer's eye is drawn from the shadowy foreground, under the columned portico, towards the sunlit courtyard beyond. The columns themselves are magnificent, showcasing intricate carvings and the iconic capitals that typify Egyptian temple design.The painting is also alive with human activity which provides a stark contrast to the enduring stone structures. In the foreground, local inhabitants go about their daily routines, subtly integrating vibrant life into the ancient, monumental setting. A group of figures, draped in traditional garb, can be seen conversing or resting, adding vibrant splashes of blue and red to the composition. Another person, further back, walks between the colossal columns accompanied by a camel, emphasizing the blend of daily life and historical grandeur.The use of subtle color and detailed depiction of hieroglyphics and architectural elements showcase Roberts' meticulous attention to detail and his commitment to authentically capturing the essence of the locations he visited. This painting not only documents a historical moment but also invites the viewer to appreciate the cultural and architectural achievements of ancient Egypt.

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David Roberts (24 October 1796 – 25 November 1864) was a Scottish painter. He is especially known for The Holy Land, Syria, Idumea, Arabia, Egypt, and Nubia, a prolific series of detailed lithograph prints of Egypt and the Near East that he produced from sketches he made during long tours of the region (1838–1840). These and his large oil paintings of similar subjects made him a prominent Orientalist painter. He was elected as a Royal Academician in 1841.