The Duomo at Brescia (1851)

Technique: Giclée quality print
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More about this artwork

We are delighted to present a fascinating work by the renowned 19th-century British artist David Roberts, known for his expert draughtsmanship and his romantic depictions of architectural marvels. "The Duomo at Brescia" crafted in 1851 is an exemplary sketch that encapsulates the grandeur and historical depth of Italy's majestic edifices.This sketch deftly captures the intricate detailing of the Duomo of Brescia, also known as the New Cathedral or Duomo Nuovo, which is famous for its imposing baroque architecture. Roberts’ pencil has gracefully outlined the striking elements of the cathedral’s façade including its decorative statues, robust Corinthian columns, and the magnificent central dome that adds a commanding presence to the Brescia skyline.The sketch is alive with a sense of everyday life in the mid-19th century; figures can be seen near the steps of the cathedral, some in motion, which lends a dynamic quality to the scene. Interestingly, Roberts has not just focused on the cathedral but has also included the surrounding urban landscape, such as a distinctly drawn bell tower on the left, providing a contextual glimpse into the architectural diversity of Brescia.David Roberts' "The Duomo at Brescia" is more than just a representation of a physical structure; it is a portal into the rich cultural tapestry of Italy, viewed through the sensitive eyes of a master artist. This piece not only highlights Roberts' artistic skill but also his profound appreciation for the intricate interplay of history, culture, and architecture.

Delivery

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David Roberts (24 October 1796 – 25 November 1864) was a Scottish painter. He is especially known for The Holy Land, Syria, Idumea, Arabia, Egypt, and Nubia, a prolific series of detailed lithograph prints of Egypt and the Near East that he produced from sketches he made during long tours of the region (1838–1840). These and his large oil paintings of similar subjects made him a prominent Orientalist painter. He was elected as a Royal Academician in 1841.