Lizards (1912)

Technique: Giclée quality print
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More about this artwork

Welcome to our exploration of "Lizards" (1912), a captivating woodcut by the distinguished German artist Franz Marc. In this unique piece, Marc's deep affinity for nature and animals is vividly apparent, conveyed through his expressive and abstract style.This artwork intricately balances darkness and light, utilizing the bold contrast typical of woodcut techniques to emphasize form and movement. The composition features two lizards intertwined within a circular and dynamic arrangement. Marc's use of swirling lines and organic shapes creates a sense of motion, suggesting the natural movements of the lizards as they possibly coil around each other. This undulation is contained within sharp, angular forms that might represent the mechanical or the human-made, creating a tension between the natural world and encroaching industrialization, a recurring theme in early 20th-century art.Each element in "Lizards" is harmoniously integrated, demonstrating Marc’s talent in transforming a traditional genre into a meditation on the rhythms of the natural world contrasted against stark, abstract forms. This piece not only captures the beauty and essence of its subjects but also invites viewers to consider the interaction between the natural and the artificial, the living and the inert.Franz Marc, a seminal figure in the German Expressionist movement, is renowned for his vividly colored animal portraits which often carry deeper metaphysical meanings.

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Franz Moritz Wilhelm Marc (8 February 1880 – 4 March 1916) was a German painter and printmaker, one of the key figures of German Expressionism. He was a founding member of Der Blaue Reiter (The Blue Rider), a journal whose name later became synonymous with the circle of artists collaborating in it.

His mature works mostly are animals, and are known for bright colors. He was drafted to serve in the German Army at the beginning of World War I, and died two years later at the Battle of Verdun.

In the 1930s, the Nazis named him a degenerate artist as part of their suppression of modern art. However, most of his work survived World War II, securing his legacy. His work is now exhibited in many eminent galleries and museums. When up for auction, his major paintings attract large sums, with a record of £42,654,500 for Die Füchse (The Foxes).