Zwei Pferde, blaugrün (1911)

Technique: Giclée quality print
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Franz Marc's painting "Zwei Pferde, blaugrün" (Two Horses, Blue-Green), created in 1911, is a striking representation of his unique style and spiritual vision. This work features two horses, integrated seamlessly into an abstracted landscape that highlights Marc’s characteristic use of vivid color and dynamic form.The composition is simple yet profound. The horses are depicted with a minimalist but bold use of lines and patches of color, predominantly in shades of blue and green, which imbue the piece with a dreamlike, almost ethereal quality. The blue and green tones are not just representative of physical attributes but are often interpreted as conveying emotional resonance and deeper spiritual truths, which are central to Marc's artistic concerns.This artwork is exemplary of Marc’s exploration of the emotional and spiritual expressions animals can encapsulate, which he believed to be purer and more profound than those of human beings. The horses are presented in a state of serene coexistence, their forms interlocking in harmonious contours which suggest a deep, intrinsic connection to each other and their environment. This connection transcends the visual, touching on the unity of all living things."Zwei Pferde, blaugrün" invites viewers to look beyond the surface and feel the spiritual vitality and the serene essence portrayed by the horses. This piece is an invitation to meditate on the deeper bonds that connect all forms of life, and it showcases Marc’s mastery in using color and form to transcend traditional artistic boundaries and explore profound themes.Franz Marc, a celebrated figure in the German Expressionist movement, left behind a legacy of artworks that continue to inspire and provoke thought about our relationship with nature and the spiritual world.

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Franz Moritz Wilhelm Marc (8 February 1880 – 4 March 1916) was a German painter and printmaker, one of the key figures of German Expressionism. He was a founding member of Der Blaue Reiter (The Blue Rider), a journal whose name later became synonymous with the circle of artists collaborating in it.

His mature works mostly are animals, and are known for bright colors. He was drafted to serve in the German Army at the beginning of World War I, and died two years later at the Battle of Verdun.

In the 1930s, the Nazis named him a degenerate artist as part of their suppression of modern art. However, most of his work survived World War II, securing his legacy. His work is now exhibited in many eminent galleries and museums. When up for auction, his major paintings attract large sums, with a record of £42,654,500 for Die Füchse (The Foxes).