Landscape with a red animal (1913)

Technique: Giclée quality print
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Franz Marc's "Landscape with a Red Animal," painted in 1913, demonstrates the artist's distinctive style marked by vibrant colors and emotional symbolism. This remarkable painting captures the essence of Marc's artistic exploration, intertwining nature with a deep, almost spiritual reverence for animal life.The painting features a bold red fox, which immediately draws the viewer's eye, positioned at the center amidst a captivating, abstract landscape. Trees with exaggerated, curvilinear forms reach toward a luminous, cobalt sky, framing the central figure with stark black and green branches—symbols that might suggest the interconnectedness of life.The landscape is divided into dynamic, undulating areas of lush green and deep blue, separated by sharp, dark lines that suggest both division and connection. These contrasting features appear to form ponds or patches of ice, reflecting the sky and hinting at a narrative of survival and resilience in nature.Marc's use of intense blue and green colors deepens the mystical feel of the scene, inviting viewers to contemplate the emotional and symbolic meanings of color. His incorporation of abstract elements transforms the landscape into something more than a mere backdrop; it becomes an active participant in the expression of themes of unity and the sacredness of the animal kingdom."Landscape with a Red Animal" is a testament to Franz Marc’s commitment to expressing deeper truths through art, exploring themes of harmony, environmental beauty, and the animal spirit.

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Franz Moritz Wilhelm Marc (8 February 1880 – 4 March 1916) was a German painter and printmaker, one of the key figures of German Expressionism. He was a founding member of Der Blaue Reiter (The Blue Rider), a journal whose name later became synonymous with the circle of artists collaborating in it.

His mature works mostly are animals, and are known for bright colors. He was drafted to serve in the German Army at the beginning of World War I, and died two years later at the Battle of Verdun.

In the 1930s, the Nazis named him a degenerate artist as part of their suppression of modern art. However, most of his work survived World War II, securing his legacy. His work is now exhibited in many eminent galleries and museums. When up for auction, his major paintings attract large sums, with a record of £42,654,500 for Die Füchse (The Foxes).