Nature Morte Au Compotier (1918)

Technique: Giclée quality print
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More about this artwork

Explore the masterful complexity of Juan Gris' “Nature Morte Au Compotier” (1918), a stellar example of Cubist artistry that captivates and intrigues. In this thought-provoking piece, Gris deconstructs and reassembles the ordinary into an extraordinary visual mosaic.The artwork showcases a fruit bowl, but not as one might expect. Gris fragments the form into geometric shapes and overlapping planes making the familiar, fruit and tableware, resonate with a new vibrance under his analytical approach. The use of muted and monochromatic tones, primarily focused around blacks and whites, contrasts sharply against the warm brown of the paper, guiding the viewer’s eye through the organized chaos of cubism.Clearly inscribed with his initials, "J.G.," this artwork serves as a testament to Gris' methodical precision and his ability to manipulate form and shade. Each angular line and shaded segment works harmoniously to challenge our perceptions of depth and perspective, drawing us into a deeper contemplation of the mundane elevated through the lens of cubism.Revel in the structured yet dynamic arrangement of elements in “Nature Morte Au Compotier” and appreciate Juan Gris's unique ability to transform the simple into the sublime.

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José Victoriano (Carmelo Carlos) González-Pérez, better known as Juan Gris, was a Spanish painter born in Madrid who lived and worked in France for most of his active period. Closely connected to the innovative artistic genre Cubism, his works are among the movement's most distinctive.