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Volendam, Barques De Pêche (1896) reproduction of painting by Paul Signac. ALL GICLEE PRINTS
Volendam, Barques De Pêche (1896) reproduction of painting by Paul Signac. ALL GICLEE PRINTS

Volendam, Barques De Pêche (1896)

Paul Signac
Technique: Giclée quality print
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"Volendam, Barques de Pêche" is a captivating 1896 work by French neo-impressionist Paul Signac, which depicts a serene yet vibrant scene set in the quaint fishing village of Volendam, Netherlands. This painting features a collection of boats, their masts standing tall and proud, docked peacefully in the harbor. Signac's use of distinct lines and invigorating color reflects both the calm of the sea and the bustling activity typical of a fishing village.In the foreground, several fishing boats anchored near the shore boast intricately detailed woodwork, hinting at the craftsmanship of the local fisherfolk. Their varied sizes and the presence of rigging details provide a glimpse into the maritime life of the period. The backdrop reveals low-lying buildings possibly representing the village itself, rendered in shades that harmonize with the coastal environment. Above, the sky swirled with whirls and curls of clouds, painted in a dynamic style, suggests movement and complements the static tranquility of the boats below."Volendam, Barques de Pêche" stands out as an example of Signac’s mastery in portraying light and color, capturing not just a visual depiction of the locale but also the essence of coastal life in the late 19th century through his unique brush strokes.

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Paul Signac
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Paul Signac (1863-1935) was a French Neo-Impressionist painter. Together with Georges Seurat, Signac developed the Pointillism style. He was a passionate sailor, bringing back watercolor sketches of ports and nature from his travels, then turning them into large studio canvases with mosaic-like squares of color. He abandoned the short brushstrokes and intuitive dabs of color of the impressionists for a more exact scientific approach to applying dots with the intention to combine and blend not on the canvas, but in the viewer's eye.

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