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Paris, Le Pont Louis Philippe reproduction of painting by Paul Signac. ALL GICLEE PRINTS
Paris, Le Pont Louis Philippe reproduction of painting by Paul Signac. ALL GICLEE PRINTS

Paris, Le Pont Louis Philippe

Paul Signac
Technique: Giclée quality print
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"Paris, Le Pont Louis Philippe" by Paul Signac captures a vibrant, impressionistic glimpse of Paris that enchants the viewer with its playful and bright depiction of the city's architecture and bustling atmosphere. This watercolor shows a picturesque scene along the Seine River, highlighting the historic Le Pont Louis Philippe bridge, which elegantly arches over the shimmering water. Signac's mastery in portraying light and color breathes life into the view, illustrating the lively river bank and flourishing green trees that sway gracefully in the breeze.The foreground features an inviting promenade alongside the Seine, leading the viewer's eye towards the bustling bridge and beyond to the rows of buildings characterized by their colorful facades under a lively sky. Those familiar fluffy clouds dance across the sky, suggesting a breezy, cheerful day. Signac's unique brushwork lends a sense of dynamic motion throughout the scene, while the splashes of colors in the trees add a whimsical charm, reflecting the artist’s known fascination with color theory.

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Reproductions are made to order and take 5 to 7 working days.

We send them out by courier and delivery takes another two working days.

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Yes, reproductions can be returned.

If you have any doubts more than 30 days after the date of purchase, please contact us - we will take the reproduction back for a refund or offer you a replacement!

We accept a maximum of two returns per customer - please note that we make reproductions to order, so please choose responsibly.

We do not refund shipping expenses.

Artist
Paul Signac
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Paul Signac (1863-1935) was a French Neo-Impressionist painter. Together with Georges Seurat, Signac developed the Pointillism style. He was a passionate sailor, bringing back watercolor sketches of ports and nature from his travels, then turning them into large studio canvases with mosaic-like squares of color. He abandoned the short brushstrokes and intuitive dabs of color of the impressionists for a more exact scientific approach to applying dots with the intention to combine and blend not on the canvas, but in the viewer's eye.

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