Study for ‘The Fall of Gog and Magog’ (1903-1916)

Technique: Giclée quality print
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This intriguing sketch, titled *Study for ‘The Fall of Gog and Magog’*, is a noteworthy piece by the eminent American artist John Singer Sargent, dating between 1903 and 1916. In this study, Sargent masterfully employs charcoal to capture the essence of his vision, which serves as preparatory work for a grander commission.The artwork presents a dramatic and complex assembly of shapes and elements, perhaps indicative of chaotic scenes tied to the biblical narrative involving Gog and Magog, often associated with apocalyptic battles and tumult. Central to the composition is a large, circular form that possibly symbolizes a shield or armor, intersected by lines that suggest segments or divisions, hinting at fragmentation or conflict. Amidst the circular form, an embellished, ornate structure resembling armor or machinery conveys a sense of old-world martial adornment.Sargent’s skilled use of light and shadow brings depth and movement to the image, highlighting the dynamic and fluid nature of the shapes. The overall composition, while abstract and somewhat enigmatic, evokes a palpable tension, aligning well with the theme of epic biblical struggle, and showcases Sargent’s remarkable ability to abstractly conceptualize and preliminarily detail out his subjects before their full-scale execution in his larger works.

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Born in Florence to American expatriate parents, John Singer Sargent (1856–1925) is considered Europe's leading portrait painter of the Edwardian era. He was educated at both Accademia delle Belle Arti and Paris's École des Beaux Arts. While in Paris, under the guidance of Émile–Auguste Carolus–Duran, a portraitist and muralist, Sargent learned to paint directly from observation without first sketching, employing a fluidity, influenced by the Impressionists. Sargent created more than 2,900 paintings, mainly portraits and landscapes from his travels across the Atlantic, Europe, the Middle East and America.