Wounds Heal Quicker than Hasty Words (Sanas Cuchilladas Mas No Malas Palabras) (ca. 1813-1820)

Technique: Giclée quality print
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Francisco de Goya's etching titled "Wounds Heal Quicker than Hasty Words" (Sanas Cuchilladas Mas No Malas Palabras), created around 1813-1820, is a captivating piece that dives deep into the raw emotions and social criticisms characteristic of Goya's later works. The image showcases a moment of intense interpersonal conflict and emotion among several figures, appearing to emerge from the darkness. The composition includes a central group of individuals surrounded by an aura of mystery and drama, where the expression and gesturing of each figure capture a narrative of altercation and possibly reconciliation.On the left, a woman, holding a mantilla, seems to be in the midst of a vehement argument, her face marked by emotions. Standing next to her, a man appears bewildered, as if caught off-guard by the unfolding situation. In contrast, on the right, an older man looks on, gesturing towards a young boy, who clutches his head in apparent despair or pain, adding a layer of concern to the scene. The background is dimly illuminated, emphasizing the nocturnal or twilight setting and enhancing the overall sense of immediacy and intimacy in the etching.This image forms part of Goya's critically acclaimed body of work that often reflected his cynical views on human nature, societal norms, and the folly of man. The work's title, "Wounds Heal Quicker than Hasty Words," suggests Goya's contemplation on the lasting impact of words compared to physical wounds, offering a poignant reminder of the power of language and emotions. In this piece, viewers are invited to contemplate the complex dynamics of human interaction, where words can sometimes leave deeper scars than physical afflictions.

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Francisco José de Goya y Lucientes (30 March 1746 – 16 April 1828) was a Spanish romantic painter and printmaker. He is considered the most important Spanish artist of the late 18th and early 19th centuries. His paintings, drawings, and engravings reflected contemporary historical upheavals and influenced important 19th- and 20th-century painters. Goya is often referred to as the last of the Old Masters and the first of the moderns.