Manet seated. Turned to the left (1864)

Technique: Giclée quality print
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More about this artwork

"Manet Seated, Turned to the Left," an engaging etching by Edgar Degas from 1864, captures the essence of Édouard Manet, a pivotal figure in the transition from Realism to Impressionism. In this piece, Degas portrays Manet with a demeanor of contemplative grace. Seated on a wooden chair, he is shown in profile, turned towards the left. His attention is directed outward, as if lost in thought or perhaps observing a scene only he can see.Manet's attire is depicted with meticulous detail, from the folds of his long, flowing coat to the crisp lines of his pants. His beard and facial features are rendered with fine, expressive lines that convey not just his appearance but also a hint of his personality—reserved yet intense. His left hand rests lightly on his thigh, while his right hand grips what appears to be a cane, adding to the aura of a thoughtful, perhaps slightly weary, gentleman.This etching is more than just a portrait; it is a window into the relationship and mutual respect between two titans of French art. Degas, known for his profound skill in both painting and sculpture, here utilizes the medium of etching to deliver a deeply personal and respectful nod to his contemporary, Manet.

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Edgar Degas was a French Impressionist artist famous for his pastel drawings and oil paintings. Degas also produced bronze sculptures, prints and drawings. Degas is especially identified with the subject of dance; more than half of his works depict dancers.