Casting, Number Two

Technique: Giclée quality print
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More about this artwork

"Casting, Number Two" by Winslow Homer is a tranquil and compelling watercolor painting that captures a moment steeped in serene motion. The artwork focuses on a solitary figure in a small boat, who is intricately engaged in the act of casting a fishing line into a reflective, glassy body of water. Dressed in light, neutral tones, the individual, characterized by their posture and attire, evokes a timeless connection to nature and the age-old pastime of fishing.The setting is a lush environment, possibly at either dawn or dusk, as suggested by the soothing and somewhat muted palette of blues and greens that encapsulate the scene. The background features dense, verdant foliage that silently watches over the water, hinting at the secluded and intimate nature of the location. The reflection of the trees in the water triples the impact of the greenery, saturating the scene with the calming hues of nature.Homer’s use of watercolor here is masterful; he manipulates shades and tones to carve out light and shadow, creating depth and volume in the composition. The painterly strokes and the fluidity of the medium echo the movement of water and the gentle sway of the boat.

Delivery

Reproductions are made to order and take 5 to 7 working days.

We send them out by courier and delivery takes another two working days.

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Returns

Yes, reproductions can be returned.

If you have any doubts more than 30 days after the date of purchase, please contact us - we will take the reproduction back for a refund or offer you a replacement!

We accept a maximum of two returns per customer - please note that we make reproductions to order, so please choose responsibly.

We do not refund shipping expenses.

Winslow Homer was an American landscape painter and printmaker, best known for his marine subjects. He is considered one of the foremost painters in 19th-century America and a preeminent figure in American art.

Largely self-taught, Homer began his career working as a commercial illustrator. He subsequently took up oil painting and produced major studio works characterized by the weight and density he exploited from the medium. He also worked extensively in watercolor, creating a fluid and prolific oeuvre, primarily chronicling his working vacations.