Historians Of The Tribe

Technique: Giclée quality print
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"Historians of the Tribe" by Frederic Remington is a compelling depiction of Native American life that underscores the significance of oral history and tradition within indigenous cultures. The painting shows a group of Native American men inside a spacious tipi, deeply engaged in the act of recording and discussing their history.The scene is set in a dimly lit environment, illuminated centrally by the glowing embers of a small fire. This focal light source casts dramatic shadows and highlights on the figures and the interior surfaces, enhancing the solemn and contemplative mood of the gathering.On the walls of the tipi, numerous symbols and drawings are visible, which represent the historical records or significant events of the tribe. These pictographs are crucial elements as they suggest the method of documenting history in the absence of a written language. One of the men, holding a tool, appears to be in the act of adding to this record, thereby playing the role of a historian by preserving their traditions and narratives for future generations.Each figure is depicted with a sense of individuality yet also a collective purpose, dressed in traditional attire that serves to place them culturally and historically. Their postures and expressions convey a mixture of reverence, duty, and wisdom, highlighting their roles as keepers of knowledge.Through this painting, Remington emphasizes the cultural depth and richness of Native American societies, portraying them as a people deeply connected to their past, with a sophisticated system of historical record-keeping that is both communal and ceremonial.

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Frederic Remington (1861–1909) was an American painter, illustrator, sculptor, and writer. He had a great interest in the American Old West, concentrating on the image of cowboys, Native Americans, horses, and the US cavalry. He rose to prominence with interpretations of frontier life, with many of his illustrations published in popular journals such as Harper’s Weekly and Pearson’s Magazine. His nocturnal paintings were filled with color and light, moonlight, firelight, and candlelight.