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Collegium Politicum reproduction of painting by Wilhelm Marstrand. ALL GICLEE PRINTS
Collegium Politicum reproduction of painting by Wilhelm Marstrand. ALL GICLEE PRINTS

Collegium Politicum

Wilhelm Marstrand
Technique: Giclée quality print
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"Collegium Politicum," a painting by Wilhelm Marstrand, captures a dynamic scene that appears to take place in a room bustling with activities and interactions among several individuals. The setting looks like the interior of a dimly lit, somewhat cluttered room, reminiscent of a bygone era. The central focus of the painting is a group of men gathered around a table, seemingly engaged in lively discussion or debate.To the left, a young man stands and listens attentively, positioned beside a woman who appears to be either entering or leaving the room. These figures are dressed in period clothing, with the young man in a more subdued outfit and the woman in a white cap and a detailed yellow and red dress, suggesting some level of social or formal occasion. Behind this pair, another individual leans against the wall near the doorway, adding to the sense of a crowded gathering.At the main table, the characters display a range of expressions and gestures. One man, likely a central character in this interaction, stands and points emphatically across the table, his face animated as he addresses or argues with his companions. Seated around him are men of varying ages, each attentively engaged with the situation.

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Artist
Wilhelm Marstrand
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Depiction of middle-class family scenes and historical paintings by Danish Golden Age artist Wilhelm Marstrand (1810-1873). Marstrand was known for his depiction of middle-class family scenes and historical paintings, with a focus on genre painting and literary subjects. He was also a skilled portraitist, often commissioned by European families to create portraits. After spending time in Italy, Marstrand began to incorporate humorous and ironic elements into his narrative paintings and illustrations, offering a unique perspective on Italian folk life.

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