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Antibes, reproduction of painting by Paul Signac. ALL GICLEE PRINTS
Antibes, reproduction of painting by Paul Signac. ALL GICLEE PRINTS

Antibes,

Paul Signac
Technique: Giclée quality print
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"Antibes" by Paul Signac is a vibrant and colorful depiction of a coastal scene, stylistically rendered in the Pointillist method. In the painting, we see a serene view of Antibes, a Mediterranean resort. The composition is dominated by a large, twisting tree in the foreground, which shades part of the view with its sprawling branches and leaves depicted in hues of red, pink, and green.The background shows the calm waters of the sea, rendered in a patchwork of small, juxtaposed strokes of varying blues and greens, reflecting the shimmering quality of the water. A yellow-sailed boat floats gently on these waters, adding a dynamic yet peaceful element to the scene. Beyond the water, soft purple and blue mountains rise gently under a sky streaked with pink and blue, suggesting either dawn or dusk.This painting captures the tranquil beauty of Antibes with a palette of warm and cool colors, all meticulously applied in small, distinct dots and dashes. The technique not only creates a shimmering vibrancy but also invites the viewer to experience the scene through the lens of Signac's unique artistic vision. The overall effect is one of harmony and peace, typical of Signac's landscapes, where the natural world radiates under the gentle touch of Pointillism.

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We create reproductions on demand, with a production time of 5 to 7 business days.

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You can also pick up your paintings at our galleries in Kaunas or Vilnius.

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If you have any concerns more than 30 days after purchase, please contact us. We will either provide a refund or offer a replacement!

Please note that we accept a maximum of two returns per customer. Since reproductions are made to order, we encourage you to choose responsibly.

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Artist
Paul Signac
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Paul Signac (1863-1935) was a French Neo-Impressionist painter. Together with Georges Seurat, Signac developed the Pointillism style. He was a passionate sailor, bringing back watercolor sketches of ports and nature from his travels, then turning them into large studio canvases with mosaic-like squares of color. He abandoned the short brushstrokes and intuitive dabs of color of the impressionists for a more exact scientific approach to applying dots with the intention to combine and blend not on the canvas, but in the viewer's eye.

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