La Rochelle

Technique: Giclée quality print
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More about this artwork

The painting "La Rochelle" by Paul Signac captures a vibrant and picturesque view of the harbor at La Rochelle, a coastal city in France. This piece showcases Signac's mastery of the Pointillist technique, albeit with a looser, more relaxed application that leans towards watercolors.In the foreground, several boats and sails are prominently displayed, their masts and rigging cutting vertically through the composition. The boats are rich in color, with hues of brown, red, and yellow, reflecting off the water and adding a dynamic quality to the scene. The water itself is rendered with dabs of blue and green, suggesting gentle movements and reflections.Beyond the boats, the mid-ground is occupied by the soft-colored facades of La Rochelle’s city buildings. The buildings are depicted in pastel tones of pink, yellow, and white, which contribute to the overall light and airy feel of the scene. Architecturally, the buildings have a quaint, European charm, with visible details such as windows, doors, and rooflines.The background of the painting shows the silhouettes of larger buildings and possibly church spires, rendered in more neutral tones, which add depth and draw the eye toward the horizon.

Delivery

Reproductions are made to order and take 5 to 7 working days.

We send them out by courier and delivery takes another two working days.

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Returns

Yes, reproductions can be returned.

If you have any doubts more than 30 days after the date of purchase, please contact us - we will take the reproduction back for a refund or offer you a replacement!

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We do not refund shipping expenses.

Paul Signac (1863-1935) was a French Neo-Impressionist painter. Together with Georges Seurat, Signac developed the Pointillism style. He was a passionate sailor, bringing back watercolor sketches of ports and nature from his travels, then turning them into large studio canvases with mosaic-like squares of color. He abandoned the short brushstrokes and intuitive dabs of color of the impressionists for a more exact scientific approach to applying dots with the intention to combine and blend not on the canvas, but in the viewer's eye.