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The Buoy reproduction of painting by Paul Signac. ALL GICLEE PRINTS
The Buoy reproduction of painting by Paul Signac. ALL GICLEE PRINTS

The Buoy

Paul Signac
Technique: Giclée quality print
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"The Buoy" by Paul Signac is a vibrant and effervescent work that reflects the artist's masterful use of the pointillist technique, which he developed alongside Georges Seurat. This painting is a brilliant example of how tiny dots of pure color can be placed together to create a luminous and dynamic composition when viewed from a distance.In this artwork, Signac depicts a scenic waterfront, likely a harbor, imbued with serene tranquility and sunlit ambiance. The focus of the painting, true to its title, is a buoy prominently placed in the foreground. This red buoy, centered and reflected in the shimmering water, provides a striking contrast against the predominately blue and yellow hues used elsewhere in the painting.The background features a lineup of buildings likely serving as warehouses or residential properties near the harbor. Tones of orange, yellow, and red on these structures suggest that the scene is bathed in the warm glow of the sun. Several boats, including one with a conspicuous dark red sail, anchor the scene and give a sense of daily maritime activity.The water around the buoy sparkles with reflections of gold, yellow, and blue, effectively capturing the gentle movement of the surface with light and color.

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We create reproductions on demand, with a production time of 5 to 7 business days.

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You can also pick up your paintings at our galleries in Kaunas or Vilnius.

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If you have any concerns more than 30 days after purchase, please contact us. We will either provide a refund or offer a replacement!

Please note that we accept a maximum of two returns per customer. Since reproductions are made to order, we encourage you to choose responsibly.

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Artist
Paul Signac
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Paul Signac (1863-1935) was a French Neo-Impressionist painter. Together with Georges Seurat, Signac developed the Pointillism style. He was a passionate sailor, bringing back watercolor sketches of ports and nature from his travels, then turning them into large studio canvases with mosaic-like squares of color. He abandoned the short brushstrokes and intuitive dabs of color of the impressionists for a more exact scientific approach to applying dots with the intention to combine and blend not on the canvas, but in the viewer's eye.

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