La Rochelle

Technique: Giclée quality print
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More about this artwork

"La Rochelle" by Paul Signac is a vibrant and picturesque representation of the French port city known for its deep maritime roots. In this painting, Signac uses a delightful array of colors and swift, sketch-like strokes to bring the bustling harbor scene to life. The artwork features several boats, each adorned with sails that are richly colored and patterned, suggesting the varied and lively activities characteristic of a thriving port.The scene is set against a backdrop with hints of architecture and distant foliage, with the sails dominating the visual space, creating a sense of movement and vibrancy. In the foreground, figures of sailors and dock workers can be observed, involved in their daily tasks, adding a human element to the maritime depiction. The white lighthouse on the right side of the painting stands as a symbolic and literal guiding beacon, adding to the coastal charm.Overall, Signac's use of light, color, and fluid form encapsulates the dynamic, ever-moving essence of La Rochelle's harbor, capturing both the physical beauty and the bustling atmosphere of the port.

Delivery

Reproductions are made to order and take 5 to 7 working days.

We send them out by courier and delivery takes another two working days.

If you need a reproduction sooner, please contact us - we can usually find a solution and produce it a little faster.

If you don't want to pay for postage, you can pick up your paintings at our galleries in Kaunas or Vilnius.

Returns

Yes, reproductions can be returned.

If you have any doubts more than 30 days after the date of purchase, please contact us - we will take the reproduction back for a refund or offer you a replacement!

We accept a maximum of two returns per customer - please note that we make reproductions to order, so please choose responsibly.

We do not refund shipping expenses.

Paul Signac (1863-1935) was a French Neo-Impressionist painter. Together with Georges Seurat, Signac developed the Pointillism style. He was a passionate sailor, bringing back watercolor sketches of ports and nature from his travels, then turning them into large studio canvases with mosaic-like squares of color. He abandoned the short brushstrokes and intuitive dabs of color of the impressionists for a more exact scientific approach to applying dots with the intention to combine and blend not on the canvas, but in the viewer's eye.