Still Life With Flagon, Glass And Bowl

Technique: Giclée quality print
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More about this artwork

"Still Life With Flagon, Glass And Bowl" by Julian Alden Weir offers a subtle yet intricate exploration of household objects rendered in a delicate palette. The painting depicts a tall pewter flagon, whose surface reflects a quiet, dusky light, adjoining a transparent glass and a ceramic bowl speckled lightly with blue. A thin, metallic spoon lies across the bowl, adding a trace of everyday functionality to the scene. A lone lemon, resting beside the bowl, injects a pop of vibrant yellow, contrasting with the overall muted tones of the composition.Weir's masterful handling of light and texture brings an ephemeral quality to the mundane, inviting viewers to appreciate the understated beauty in daily surroundings. The composition is balanced and serene, with a focus on the interplay between the reflective surfaces of the metal and glass and the matte finish of the ceramic.

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Julian Alden Weir was an American impressionist painter and member of the Cos Cob Art Colony near Greenwich, Connecticut. Weir was also one of the founding members of "The Ten", a loosely allied group of American artists dissatisfied with professional art organizations, who banded together in 1898 to exhibit their works as a stylistically unified group.

Weir was born on August 30, 1852, the second to last of sixteen children, and raised in West Point, New York. His father was painter Robert Walter Weir, a professor of drawing at the Military Academy at West Point who taught such artists as James Abbott McNeill Whistler. His older brother, John Ferguson Weir, also became a well-known landscape artist who painted in the styles of the Hudson River and Barbizon schools. He was professor of painting and design at Yale University from 1869, starting the first academic art program on an American campus.