Courbevoie, Factories by Moonlight (ca. 1882–1883)

Technique: Giclée quality print
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More about this artwork

In the hushed glow of moonlight, large factory buildings and tall smoking chimneys dominate a sparse industrial landscape. A particularly striking vertical chimney rises prominently at the left, cutting through the scene like a stark sentinel against the night sky. The moon, slightly clouded and full of luminescence, casts a soft, eerily gentle light, illuminating the clouds and hints of the structures below. This illumination sets a contrast against the deeper, shadowy expanses of the factory complex and the foreboding darkness of the water or ground in the foreground. The scene, enveloped in varying shades of black and gray, exudes a quiet solitude, marked by the absence of human figures and the stillness of the industrial setting at night.

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Georges-Pierre Seurat (1859–1891) was a French artist and painter. Seurat's paintings were known for vibrancy of color and the use of tiny brushstrokes of contrasting colors. His intense interest in line, color, color theory, and optical effects formed the basis of Divisionism, whereas the use of layering small brushstrokes and dots formed the basis of Pointillism. His iconic late 19th-century painting, "A Sunday Afternoon on the Island of La Grande Jatte" (1884), paved the way for the initiation of Neo-impressionism.

Seurat was only 31 when he died, yet he left behind an influential body of work, comprising seven monumental paintings, hundreds of drawings and sketches, and around 40 smaller-scale paintings and sketches. Although his oeuvre is relatively small in quantity, it had a lasting impact. He was among the first artists to make a systematic and devoted use of color theory, and his technical innovations influenced many of his peers.