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Port-en-Bessin (1888) reproduction of painting by Georges Seurat. Classical Paintings
Port-en-Bessin (1888) reproduction of painting by Georges Seurat. Classical Paintings

Port-en-Bessin (1888)

Georges Seurat
Technique: Giclée quality print
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The painting depicts a serene harbor scene in Port-en-Bessin. It portrays a sunny day with a clear sky, dotted with fluffy, white clouds. Towards the center and right, the scene is dominated by a structure that appears to be a pier or dock, with people walking and standing around it. Two boats are visible, one moored at the dock and the other slightly further away in the harbor. The left side of the painting shows several quaint houses with detailed façades and rooftops, suggesting a peaceful residential area. The foreground features a sandy beach area where a few figures can be seen walking leisurely.

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Artist
Georges Seurat
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Georges-Pierre Seurat (1859–1891) was a French artist and painter. Seurat's paintings were known for vibrancy of color and the use of tiny brushstrokes of contrasting colors. His intense interest in line, color, color theory, and optical effects formed the basis of Divisionism, whereas the use of layering small brushstrokes and dots formed the basis of Pointillism. His iconic late 19th-century painting, "A Sunday Afternoon on the Island of La Grande Jatte" (1884), paved the way for the initiation of Neo-impressionism.

Seurat was only 31 when he died, yet he left behind an influential body of work, comprising seven monumental paintings, hundreds of drawings and sketches, and around 40 smaller-scale paintings and sketches. Although his oeuvre is relatively small in quantity, it had a lasting impact. He was among the first artists to make a systematic and devoted use of color theory, and his technical innovations influenced many of his peers. 

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