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Landscape at Saint-Ouen (1886–1888) reproduction of painting by Georges Seurat. Classical Paintings
Landscape at Saint-Ouen (1886–1888) reproduction of painting by Georges Seurat. Classical Paintings

Landscape at Saint-Ouen (1886–1888)

Georges Seurat
Technique: Giclée quality print
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The soft brushstrokes of Georges Seurat’s "Landscape at Saint-Ouen" depict a serene countryside scene dominated by a vast expanse of rolling hills in the background. Swathes of green, interspersed with subtle hues of blue, create a lush, verdant landscape, suggesting the freshness of early spring or late summer. The foreground features lighter, more desaturated colors with hints of earth tones and blues, embodying a pastoral quietness. There are faint suggestions of structures or vegetation, mainly sketched out in the midsection, where brushstrokes of darker tones provide a gentle contrast to the overarching lightness. The sky, done in pale blues and whites, adds a sense of openness and calm to the painting, encouraging a contemplative mood.

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Picture in the interior
Landscape at Saint-Ouen (1886–1888)
Landscape at Saint-Ouen (1886–1888)
Technique

Giclée quality print

Short description

Giclée quality print.

Artist
Georges Seurat
All Artworks

Georges-Pierre Seurat (1859–1891) was a French artist and painter. Seurat's paintings were known for vibrancy of color and the use of tiny brushstrokes of contrasting colors. His intense interest in line, color, color theory, and optical effects formed the basis of Divisionism, whereas the use of layering small brushstrokes and dots formed the basis of Pointillism. His iconic late 19th-century painting, "A Sunday Afternoon on the Island of La Grande Jatte" (1884), paved the way for the initiation of Neo-impressionism.

Seurat was only 31 when he died, yet he left behind an influential body of work, comprising seven monumental paintings, hundreds of drawings and sketches, and around 40 smaller-scale paintings and sketches. Although his oeuvre is relatively small in quantity, it had a lasting impact. He was among the first artists to make a systematic and devoted use of color theory, and his technical innovations influenced many of his peers. 

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