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Bird from Momoyogusa – Flowers of a Hundred Generations (1909) reproduction of painting by Kamisaka Sekka. Animalistic
Bird from Momoyogusa – Flowers of a Hundred Generations (1909) reproduction of painting by Kamisaka Sekka. Animalistic

Bird from Momoyogusa – Flowers of a Hundred Generations (1909)

Kamisaka Sekka
Technique: Giclée quality print
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The painting depicts a majestic white bird, possibly a peacock or a fantastical creature, set against a muted gold background. The bird is portrayed in a regal and slightly stylized pose, with its head turned elegantly upward and to the side, showcasing a slender neck and a proud, alert expression. Its body and wings are exquisitely detailed, emphasizing the smooth and flowing feathers. The most striking feature of this bird is its tremendously long and elaborate tail feathers that cascade behind it in a luxuriant sweep. These feathers are intricately designed, each one adorned with a delicate eye pattern that resembles those found on peacock feathers. The bird’s crest is highlighted by a subtle red detail, adding a touch of color to the otherwise monochrome depiction.

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Our courier service ensures delivery within an additional two business days.

If you need a faster turnaround, please contact us. We can often expedite the process to meet your needs.

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Yes, reproductions can be returned.

If you have any concerns more than 30 days after purchase, please contact us. We will either provide a refund or offer a replacement!

Please note that we accept a maximum of two returns per customer. Since reproductions are made to order, we encourage you to choose responsibly.

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Picture in the interior
Bird from Momoyogusa – Flowers of a Hundred Generations (1909)
Bird from Momoyogusa – Flowers of a Hundred Generations (1909)
Technique

Giclée quality print

Short description

Giclée quality print.

Artist
Kamisaka Sekka
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Kamisaka Sekka was an important artistic figure in early twentieth-century Japan. Born in Kyoto to a Samurai family, his talents for art and design were recognized early. He eventually allied himself with the traditional Rinpa school of art. He is considered the last great proponent of this artistic tradition.

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