Hanging

Technique: Giclée quality print
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More about this artwork

The painting titled "Hanging" by Vytautas Laisonas presents a visually intriguing and surreal image. It depicts a large, almost monolithic structure that appears to be a building or a palace, characterized by numerous small, squared windows and adorned by subtle architectural details like spires or antennae at its top. The color palette for the building is warm, primarily using shades of beige and yellow that give it a sunlit appearance.Significantly, the building doesn't rest on solid ground but is instead perched atop a dense, lush patch of greenery that looks like an extension of the ground or might even be interpreted as a sort of tree or bush. This greenery is richly textured and painted with vivid strokes of varying shades of green, creating a lively contrast with the warm hue of the building.The composition creates an impression of the building being suspended or hanging, as suggested by the title. The black and textured sky behind the structure adds to the surreal, otherworldly feel of the scene, providing a stark, dark backdrop that highlights the building and the greenery. It seems isolated and floating, adding a dream-like quality to the painting.The base of the painting transitions into a light, sandy texture, perhaps symbolic of dry ground or desolation, further emphasizing the isolated and uplifted nature of the architectural element.

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Returns

Yes, reproductions can be returned.

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The author often draws inspiration and ideas from nature, which is perfect in itself.

In one of his paintings is alive world, which is more realistic than photograph and too perfect to be true. In the other paintings - the world, which has never been, children's tale, which you can not forget.

It reveals the artist's explorations between "real" and "imaginary", and that makes him unique. This is one of the reasons why his works are evaluated by private collectors, not only in Lithuania, but also in Italy, France, Japan, Germany, USA, Hungary, Finland, Norway.

Current authors

Current authors