Kirkstall Abbey from the N.W. (ca. 1792)

Thomas Girtin (1775–1802) was a prominent English artist renowned for his groundbreaking contributions to watercolour and etching. As both a companion and competitor to J. M. W. Turner, Girtin played a vital role in elevating watercolour painting from a subordinate art form to one recognized for its artistic value in Britain during the late 18th and early 19th centuries. His vivid and expressive landscapes departed from the traditional, topographical approach of his era, opening new possibilities for freedom and creativity within the watercolour medium.

Girtin was born in Southwark, London, the son of a prosperous brushmaker of Huguenot ancestry. Sadly, he lost his father while still young, after which his mother married Mr. Vaughan, a pattern-draughtsman. It is possible that this creative household helped nurture Girtin’s early passion for drawing and design.

During his youth, Girtin participated in drawing lessons organized by Thomas Malton, recognized for his mastery of perspective. He later became an apprentice to Edward Dayes, a notable topographical watercolourist. Though he is thought to have completed the full seven-year apprenticeship, stories indicate that their relationship was fraught, and at one point, Dayes may have even had Girtin briefly jailed over their disagreements.

In spite of the strained mentorship, Girtin went on to make his mark in watercolour painting. Dayes, unable to appreciate the talent of his pupil, continued to criticize Girtin even after the latter died prematurely at 27. Nevertheless, Girtin’s innovative methods and evocative landscapes made a profound impact, shaping the work of later landscape artists and fostering the development of British Romantic art.