Red and gilt lacquer double chest of drawers (1910 - 1911)

Technique: Giclée quality print
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Among the unique treasures of early 20th-century furniture design, Edwin Foley’s Red and Gilt Lacquer Double Chest of Drawers epitomizes the intersection of functionality and ornate artistry. Created during 1910-1911, this exquisite piece of furniture not only accentuates style but also showcases the intricate aesthetic sensibilities of its era.The chest features a towering double-decker structure, richly adorned with vibrant red lacquer complemented by luxurious gold detailing. The elaborate decorative motifs are inspired by oriental themes, including landscapes, floral arrangements, and various scenes depicting leisurely activities and cultural events. Each panel and drawer is a canvas displaying meticulous craftsmanship.A noteworthy aspect of Foley’s work is the presence of arched bases, which not only support but enhance the overall stately appearance of the chest. The cabinet is crowned by an ornamental pottery piece, adding a distinct cultural touch that elevates the fusion of design elements.This piece is a brilliant representation of the lavish yet refined tastes prevalent during the early 1900s, making it a focal point for any collection. It stands as a testament to Foley’s mastery in embracing and amalgamating different artistic influences into cohesive and functional art forms.

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Edwin Foley authored and illustrated The Book of Decorative Furniture, an important two-volume work published by T. C. & E. C. Jack between 1910 and 1911. This exhaustive publication included one hundred full-color reproductions along with a thousand illustrations within the text, providing a broad visual overview of decorative furniture. The book was met with great enthusiasm, leading to multiple editions and establishing its influence and popularity among decorative arts aficionados.

Although his book made a significant impression, details regarding Edwin Foley’s personal life and professional background are scarce. What is known is that he held the title of Fellow of the institute of designers, a distinction indicating his esteem within the design community. Aside from this, little has been recorded about his wider artistic endeavors or career activities.

Edwin John Foley was born in Fisherton Anger, Wiltshire, around 1859, as the second child and eldest son of Arthur Foley, who owned the Fisherton Cabinet Works in Salisbury, and his wife Jane. At least part of Foley’s schooling took place in London while he stayed with his relatives Peter and Rhoda Marie Brown, suggesting he was exposed early on to metropolitan life and, perhaps, the city’s artistic milieu.

In the early 1880s, Foley began assisting his father as a designer. By 1891, he had taken up residence with his wife, Louisa Maud (née Hayford), whom he married in 1882, on Charlotte Street in Marylebone. The couple had three sons: Conrad Hayford, Hubert Edwin, and Alan Victor. Later, Foley moved to 294 Camden Road, Middlesex, and eventually passed away on 25 April 1912 in Cottesloe, Western Australia. Those wishing to see further examples of his illustrations will find many held in the Look and Learn picture library.