Waking Kaunas

Technique: Giclée quality print
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"Waking Kaunas" by Rolandas Mociūnas is a captivating oil painting that captures a lively, yet serene street scene in Kaunas, Lithuania. The artist masterfully uses a blend of earthy and neutral tones punctuated by touches of brighter colors to create a scene that feels both historic and timeless.In the foreground, you see a wet street that reflects the muted lights and colors of the early morning. The street is lined with slender trees, their bare branches suggesting the painting captures a cool season, possibly late autumn or early winter. To the left and right, the trees frame the composition, leading the viewer's eye towards the center and creating depth.The middle ground of the painting is bustling with activity; figures of people going about their morning routines add a sense of movement and life to the scene. Despite the apparent chill, there's a warmth in how the artist portrays the people, perhaps a reflection of the community spirit of the city.Dominating the scene in the background is a large, magnificent architectural structure that resembles a grand church or cathedral with a dome and multiple levels of arches, bathed in a soft, glowing light. This building acts as a focal point and gives the painting a sense of scale and grandeur.The soft, blended style of Mociūnas's brushwork gives a dreamy, almost ethereal quality to the scene, enhancing the romantic atmosphere of a city waking up.

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Rolandas Mociūnas is an artist celebrated for his impressionistic depictions of cityscapes, distinguished by their warmth and welcoming atmosphere. His work is marked by a particular emphasis on reflections, light, and contrasts—qualities that infuse his paintings with vibrancy and a sense of vitality.

He strives to portray the city in motion, never at rest—constantly alive with movement and the energy of daily life. Through Mociūnas's artistic lens, viewers are able to sense the rhythm and ambiance of urban existence, as though they themselves are part of the ceaseless activity of the city.

Even his still lifes, traditionally associated with tranquility and stillness, are suffused with a subtle narrative and sense of curiosity. These arrangements appear to invite viewers to envision the stories inherent in the objects: what took place before and after they were positioned, who may have interacted with them, and how they came to inhabit that particular moment.

In essence, his paintings are both inventive and skillfully rendered, with feelings and impressions that seem to extend beyond the canvas—encouraging viewers to become absorbed in the emotion and narrative that unfold within each work.

Current authors

Current authors