Richmond, Thames (1924)

Alfred William Finch (1854-1930), a notable Neo-Impressionist artist, was born in Brussels to British parents. He achieved recognition for his distinctive approach to color and mastery of the Pointillism technique, applying precise, individual dots of pure color to compose radiant images. Finch’s artistic methods brought him into close association with Neo-Impressionist masters such as Paul Signac, Camille Pissarro, and Georges Seurat, whose pioneering work influenced the development of modern European art.

Finch played a pivotal role in establishing Les XX (Les Vingt), a progressive group comprised of twenty avant-garde artists based in Brussels. This collective set out to confront the traditional values of the Belgian art world, and through their annual exhibitions, they exposed audiences to innovative art movements. Les XX cultivated an environment that fostered the growth of Neo-Impressionism and encouraged artistic experimentation within late 19th-century Europe.

In the later stages of his career, Finch broadened his artistic focus to include the creation of ceramics and pottery. Combining aspects of Neo-Impressionism, the Arts and Crafts movement, and Belgian Art Nouveau, he developed decorative pieces that reflected a harmonious blend of these styles. Through this integration, Finch demonstrated a distinctive vision, skillfully connecting the domains of fine art and applied art, and highlighting his adaptability as an artist.

Finch was esteemed for portraying elements of the natural world, particularly his evocative renderings of tranquil landscapes along the Channel coast. Though his birthplace was Belgium, he spent a substantial portion of his artistic career in Helsinki, Finland, where he left a significant mark on local art and design circles until his death in 1930. His groundbreaking techniques and enduring influence on painting and decorative arts remain integral to his legacy.