Zwei Mädchen (1912)

Technique: Giclée quality print
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Otto Mueller’s expressive artwork, “Zwei Mädchen” (Two Girls), painted in 1912, captures a deeply intimate and serene moment between two figures. This painting is a brilliant example of Mueller’s distinctive style within the German Expressionist movement, particularly within the group known as Die Brücke.The composition features two nude females entwined in a comforting embrace, rendered in earthy tones against a sparse background. The use of bold, red color highlights the garment or drapery, drawing attention to the fluidity and softness of its form, contrasting with the more subdued color palette of the figures and the background. The simplicity of the background, marked with minimal yellow strokes, focuses the viewer’s attention on the subjects themselves, enhancing the emotional depth of their connection.Mueller’s technique of combining rough textural details with gentle contours emphasizes the natural beauty and vulnerability of the figures. The artist’s use of seemingly unfinished surfaces and visible paper grains contributes to the overall feeling of immediacy and authenticity.“Zwei Mädchen” is not just a portrayal of physical closeness, but is also evocative of the emotional resonance between the figures, suggesting themes of friendship, trust, and possibly love. This intimate portrayal invites viewers to reflect on the nature of human connection, portrayed through Mueller’s expressionist lens.At our gallery, this piece stands as a testament to Otto Mueller's unique ability to convey complex human emotions through simple, yet powerful visual narratives.

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Otto Mueller (1874–1930) emerged as an influential German painter and printmaker, most widely recognized for his involvement with the expressionist group Die Brücke (The Bridge). Founded in Dresden in the early 20th century, Die Brücke consisted of artists seeking to move beyond academic traditions and embrace vibrant colors and expressive emotion. Mueller became part of this group in 1910 and distinguished himself with a style all his own within the collective.

Mueller was born in Liebau—present-day Lubawka, Kamienna Góra County—located in what was then Silesia. His formative years were shaped by an education in the graphic arts. Between 1890 and 1892, he worked as a lithographer's apprentice in Görlitz and Breslau (now Wrocław, Poland), acquiring practical skills in printmaking that would later shape his artistry. This technical background set Mueller apart, providing him with expertise that enhanced his expressive art.

From 1894 to 1896, Mueller pursued further studies at the Academy of Fine Arts in Dresden, moving in 1898 to Munich to continue his training. His stay in Munich, however, proved brief; Mueller left after Franz von Stuck, a renowned artist and professor, judged him to lack talent. Undeterred by this obstacle, Mueller responded by charting his own artistic course, which led to the evolution of his signature, poetic style.

Over the span of his career, Otto Mueller gained acclaim for serene, streamlined images of nudes and Romani (Sinti and Roma) figures situated in tranquil, natural settings. His paintings are marked by earthy, subdued hues and an understated but harmonious relationship between subject and environment. Widely regarded for his role in German Expressionism and the broader modern art movement, Mueller’s works are included in major museum collections throughout Europe.