C’est ici, chez nous! (1916)

Théophile Alexandre Steinlen, originally from Switzerland but later a celebrated French artist, was closely linked to the Art Nouveau movement. He earned acclaim as both a painter and printmaker, celebrated for his expressive and evocative artistic approach. Much of Steinlen's work portrayed scenes from the daily life of Paris, reflecting the energy and essence of the city during the late nineteenth and early twentieth centuries.

Steinlen, born in Lausanne, Switzerland, began to develop his artistic talent at the University of Lausanne. Following his studies, he worked as a trainee designer in a textile factory in Mulhouse, eastern France. This formative experience with industrial design greatly informed his attention to structure and detail, attributes that prominently influenced his later artistic pursuits.

While still in his early twenties, and continuing to perfect his craft as a painter, Steinlen was encouraged by the artist François Bocion to relocate to Paris with his wife, Emilie. The couple settled in the lively Montmartre Quarter, a renowned center for artists, musicians, and writers at that time. The bohemian ambiance of Montmartre not only inspired Steinlen but also enabled him to form connections with fellow creatives.

Among those in Steinlen’s Parisian circle was Adolphe Willette, who introduced him to the community of artists and performers at Le Chat Noir, the well-known cabaret in Montmartre. Immersed in this vibrant artistic environment, Steinlen produced some of his most famous poster art and illustrations, notably for cabaret proprietor and performer Aristide Bruant. His uniquely styled posters soon became emblematic of Parisian commercial art, firmly establishing Steinlen as a leading artist of his era.