A Kiss for Baby Ann (No. 3) (1897)

Mary Cassatt was a distinguished American painter and printmaker, acclaimed for her major impact on the Impressionist movement. Born in 1844 in Allegheny City, Pennsylvania (now incorporated into Pittsburgh’s North Side), Cassatt spent the majority of her adult years living in France, where she became a key member of the Parisian art community. Her close connection with Edgar Degas had a profound effect on her work, evident in her handling of light, color, and innovative compositions.

Cassatt is most admired for her nuanced and perceptive portrayals of women’s social and private spheres. Central to her art is the recurring subject of the close bond between mothers and children, which she depicted with elegance and compassion. Frequently set in domestic interiors, her paintings employ refined brushwork and a gentle color scheme to evoke the warmth and intimacy inherent in family life.

As one of the preeminent female artists of her time, Cassatt was praised by the art critic Gustave Geffroy as one of "les trois grandes dames" (the three great ladies) of Impressionism, alongside Marie Bracquemond and Berthe Morisot. She participated regularly in Impressionist exhibitions in France during a period when significant obstacles faced women in the art community.

The legacy of Mary Cassatt lives on, with her art continuing to be honored in prominent museums internationally. Her extraordinary skill in expressing emotion, together with her dedication to depicting women’s lives, has secured her place as a trailblazer for women artists and a vital figure in the evolution of modern art.