Jewel cabinet of Queen Marie Antoinette, of mahogany, gilt, inlaid, carved, and with painted plaques (1910 - 1911)

Technique: Giclée quality print
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More about this artwork

The painting featured on our website showcases one of the most exquisite and ornate pieces of furniture associated with Queen Marie Antoinette, captured beautifully by the artist Edwin Foley. This work, created during 1910-1911, is a remarkably detailed depiction of a jewel cabinet made of mahogany, enhanced with gilt, intricate inlays, and delicate carvings, including painted plaques that add depth and vibrance to its appearance.The cabinet stands tall and imposing, a testament to the luxurious tastes of the 18th-century French aristocracy. Its structure features a robust and richly-decorated base, supported by elegantly turned and fluted legs, interspersed with lighter colored inlays that provide a striking contrast to the darker mahogany. The body of the cabinet is adorned with multiple ornamental panels, each bordered with gilded frames that highlight the meticulous paintings and inlays within. These panels display a variety of classical and allegorical figures, suggesting themes of beauty, wisdom, and virtue, which align with the Queen's known affection for the arts and enlightenment ideals.Crowning the cabinet is an elaborate sculpture of reclining figures, possibly depicting scenes from mythology, adding a sense of drama and grandeur to the piece. This element not only enhances the cabinet’s visual appeal but also emphasizes the high level of craftsmanship and artistic thought invested in its creation.Edwin Foley’s detailed rendering of this jewel cabinet invites viewers to step back in time and glimpse the opulent lifestyle of Queen Marie Antoinette. Through his skilled brushwork and eye for detail, Foley not only commemorates a historical artifact but also celebrates the intricate beauty of French decorative arts.

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Edwin Foley authored and illustrated The Book of Decorative Furniture, an important two-volume work published by T. C. & E. C. Jack between 1910 and 1911. This exhaustive publication included one hundred full-color reproductions along with a thousand illustrations within the text, providing a broad visual overview of decorative furniture. The book was met with great enthusiasm, leading to multiple editions and establishing its influence and popularity among decorative arts aficionados.

Although his book made a significant impression, details regarding Edwin Foley’s personal life and professional background are scarce. What is known is that he held the title of Fellow of the institute of designers, a distinction indicating his esteem within the design community. Aside from this, little has been recorded about his wider artistic endeavors or career activities.

Edwin John Foley was born in Fisherton Anger, Wiltshire, around 1859, as the second child and eldest son of Arthur Foley, who owned the Fisherton Cabinet Works in Salisbury, and his wife Jane. At least part of Foley’s schooling took place in London while he stayed with his relatives Peter and Rhoda Marie Brown, suggesting he was exposed early on to metropolitan life and, perhaps, the city’s artistic milieu.

In the early 1880s, Foley began assisting his father as a designer. By 1891, he had taken up residence with his wife, Louisa Maud (née Hayford), whom he married in 1882, on Charlotte Street in Marylebone. The couple had three sons: Conrad Hayford, Hubert Edwin, and Alan Victor. Later, Foley moved to 294 Camden Road, Middlesex, and eventually passed away on 25 April 1912 in Cottesloe, Western Australia. Those wishing to see further examples of his illustrations will find many held in the Look and Learn picture library.