The Tigerskin (Sewing Girl) (1889)

Technique: Giclée quality print
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John William Godward's enchanting painting, "The Tigerskin (Sewing Girl)," created in 1889, is a sumptuous display of Godward's talent for capturing the serenity and opulence of classical settings. This magnificent work features two women in classical attire within a luxuriously detailed environment that speaks to the romantic visions of the neo-classicist era.The foreground of the painting reveals a young woman draped in a flowing teal gown, delicately engaged in the art of sewing. Seated gracefully on a lush tiger skin rug, her pose and occupation embody the era's ideals of genteel femininity and tranquil domesticity. The intricate details of her dress and the gentle pleating of the fabric highlight Godward’s meticulous attention to texture and colour.Beside the sewing girl, an array of classical architecture adorned with rich marbles and exotic plants adds to the scene's grandeur. A potted palm and woven baskets suggest a connection to wider, possibly imperialist geographic aspirations, reflecting the period's fascination with exotic cultures.To the right, another woman sits facing the sea, her body turned away from the viewer, providing a contemplative counterpoint to her companion's focused activity. Her orange gown contrasts vividly with the cool tones of the setting, drawing the eye across the composition to the expansive view beyond the terrace.The background opens onto a sunlit seascape, animated by fluttering seagulls and gentle waves, evoking a sense of peacefulness and freedom. This transition from the intimate detail of the interior life to the boundless natural world serves as a reminder of the contrasting realms women of this era navigated.

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John William Godward was a distinguished English painter who belonged to the late Neo-Classicist movement. Renowned for his painstakingly detailed and idealized portrayals of women, he frequently placed his subjects amid marble terraces and vibrant Mediterranean scenery. Godward’s inclination toward classical themes and environments demonstrated the impact of his mentor, Sir Lawrence Alma-Tadema, who was a leading figure in Victorian art.


Godward was born in 1861 in Wilton Grove, Wimbledon, the eldest child of Sarah Eboral and John Godward, an investment clerk employed by the Law Life Assurance Society in London. Raised within a well-off, middle-class household, he was afforded the opportunity to pursue his interest in art, though he encountered opposition from family members who did not approve of his chosen vocation.


His paintings are notable for their vibrant use of color, exceptional skill in depicting textures—particularly those of marble and fabrics—and a strong commitment to the ideals of classical beauty. Godward’s works often depict peaceful settings in which poised, thoughtful women inspired by antiquity grace the scene. Through his creations, he aspired to evoke an atmosphere of calm and enduring grace, offering viewers a retreat from the challenges of contemporary life.


Yet, as modern art gained prominence in the early twentieth century, appreciation for Godward’s style waned. Despite this shift in public taste, his art continues to be prized by collectors and is respected for its mastery of technique. Today, John William Godward is acknowledged as one of the last significant representatives of the Neo-Classicist movement in English art.