Auf dem Balkon (1878)

Technique: Giclée quality print
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More about this artwork

Anton Romako's evocative painting, "Auf dem Balkon" from 1878, captures a serene, yet poignant moment, masterfully blending elements of realism and impressionism. The artwork portrays a woman standing on a balcony, her attention gently directed towards a vibrant urban skyline at dusk. The setting is intimate and personal, inviting viewers into a quiet snapshot of nineteenth-century life.The woman, dressed in a flowing blue robe, is depicted from behind, her posture and placement suggesting contemplation or a moment of solitude. The balcony, adorned with delicate ironwork, serves as a boundary between the private interior and the bustling exterior world. Romako's use of light and texture brings a softness to the industrial backdrop, contrasting the harsh lines of chimneys and buildings with the ethereal sky.This piece is a testament to Romako's skill in capturing the subtleties of human emotion and the interplay of light and architecture.

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Anton Romako (20 October 1832 – 8 March 1889) was an Austrian painter whose innovative techniques came to influence future generations of artists. Born in Atzgersdorf near Vienna, Romako found it difficult to achieve significant recognition during his own lifetime, though he is now acknowledged as an important figure in nineteenth-century Austrian art.

Romako gained renown for his expressive portraits and powerful historical compositions. His distinctive approach frequently featured loose brushwork and psychological insight, setting his art apart from the dominant academic conventions of his time. As a result, his paintings stood out among those of other Viennese artists and beyond.

One of Romako’s most celebrated pieces is his striking portrait of Admiral Wilhelm von Tegetthoff, painted just after the Battle of Lissa. This emotionally charged work is frequently regarded as a forerunner of the Austrian modernist movement, and subsequently inspired artists such as Oskar Kokoschka and Egon Schiele.

Although he is now highly esteemed, Romako faced financial difficulties and a lack of broad public appreciation throughout his life. Today, his artworks are prized by museums and collectors, confirming his essential contribution to the development of Austrian art in the late nineteenth century.