On the Edge of the Universe. Constantine II

Inga Noir Mrazauskė is a contemporary painter renowned for her unmistakable and distinctive style. She skillfully fuses a postmodern philosophy—which places greater importance on the act of creation itself than on the finished product—with a surrealist approach that demonstrates her technical precision in capturing intricate details. Within her paintings, minimalism, an evocative "white silence," and the presence of Baltic relics, archetypes, and folk patterns are seamlessly interwoven in perfect harmony.

The motif of the bedspread appears repeatedly throughout her art, carrying deeply personal meaning for Mrazauskė. This element is inspired by her grandmother’s handwoven textiles. By interpreting and reimagining these familiar designs, she seems to be weaving directly onto canvas, instilling her paintings with a rhythmic quality that draws her into a meditative state. In this space, she forms a spiritual connection with nature, her forebears, and their collective wisdom. The patterns she creates serve as codes—abstract Morse alphabets—that transmit the shared unconscious and unspoken visual memories.

Light and shadow assume central importance on Mrazauskė’s canvases, appearing in the creases of fabric, in the arrangement of still-life compositions, and in sunlight streaming in at different moments of the day, from the bright clarity of midday to the soft luminosity of evening. Her adept manipulation of illumination and darkness lends her paintings a striking depth and atmosphere, imbuing each piece with a subtle yet intense presence.

Inga Noir Mrazauskė is celebrated for her ability to unite personal recollection, cultural inheritance, and contemporary artistic expression. Her works invite viewers into a world where traditional motifs and modern artistry coexist, stirring feelings of nostalgia and a profound respect for ancestral knowledge, all while revealing the contemplative force behind creative expression.