De muziek (1878)

Technique: Giclée quality print
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More about this artwork

"De muziek," crafted by the distinctive artist Samuel Jessurun de Mesquita in 1878, stands as a compelling example of art that captures the ethereal qualities of music through visual expression. This stunning piece uses starkly contrasting black and white tones to create a mesmerizing depiction of a woman, who is centrally positioned and seems to be an embodiment of music itself.The woman, dressed in a flowing, long gown with graceful accents at the borders, appears almost angelic. Her poised demeanor and uplifted gaze give her an aura of serene contemplation. The background features vertical lines, reminiscent of the strings of a harp, which converge towards the top of the composition, enhancing the feeling of movement and harmony. Her hands are delicately placed near her chest, as if she is either feeling the music within her or about to commence a symphonic performance.Samuel Jessurun de Mesquita's talent in using the woodcut technique is evident here, as he masterfully creates texture and depth, despite the limited color palette. "De muziek" not only visually represents the concept of music but also invokes its emotive power, inviting viewers to experience the tranquility and beauty music can offer.

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Samuel Jessurun de Mesquita was a distinguished Dutch graphic artist whose career reached its height between the late nineteenth and early twentieth centuries. He earned considerable acclaim for his expressive woodcuts, prints, and drawings, which frequently depicted animals, botanical elements, and imaginative themes. His artwork is noted for its elaborate detail, pronounced contrasts, and stylized, often fantastical motifs.

In addition to his own artistic achievements, de Mesquita made an important contribution as a teacher and mentor—most famously to the acclaimed graphic artist M. C. Escher (1898–1972), who was once his student. Escher acknowledged that de Mesquita greatly influenced his formative years as an artist, especially in the disciplines of printmaking and drawing. This mentor-student bond left a lasting mark on Escher’s distinguished career.

As a Sephardic Jew residing in the Netherlands, de Mesquita suffered profoundly as a result of the Nazi regime's rise during the Second World War. In his later years, both he and his wife were forcibly transported to Auschwitz, where they lost their lives during the Holocaust. This tragic end brought a sorrowful close to the life and career of an artist whose work had contributed significantly to Dutch cultural heritage.

Although Samuel Jessurun de Mesquita once enjoyed great recognition within the Dutch art scene, his legacy diminished in the aftermath of the war. For a considerable period, his accomplishments were largely overlooked and faded into obscurity. Recently, however, renewed interest from scholars and art enthusiasts has led to efforts to acknowledge and reclaim his place in the history of art.