Nu Assis (Maude) (1916)

Théophile "Théo" van Rysselberghe, a Belgian neo-impressionist painter, was instrumental in shaping the European art world at the turn of the twentieth century. Famous for his skilled use of color and light, van Rysselberghe became a prominent advocate of Pointillism—a technique that creates images by methodically placing small, distinct dots of color.

He was born in Ghent to a French-speaking bourgeois family and began his studies at the Academy of Ghent with Theo Canneel. In 1879, he continued his education at the Académie Royale des Beaux-Arts in Brussels under the guidance of Jean-François Portaels. This early training gave him a strong background in traditional painting before he moved toward the innovative techniques that would later define his work.

As one of the founding members of Les XX, a notable collective of progressive Belgian artists, van Rysselberghe played a key role in promoting avant-garde art. His participation in this group helped introduce neo-impressionist methods to a larger public and enabled him to form connections with eminent contemporaries, including Paul Signac and Georges Seurat.

Over the span of his artistic career, van Rysselberghe produced a range of works featuring vivid landscapes, luminous seascapes, and expressive portraits. His unwavering commitment to the neo-impressionist movement and his exceptional sense of color remain highly regarded, securing his legacy as an important contributor to modern European art history.