The crowd as it looks to Theodore (1912)

Samuel Ehrhart was an American illustrator and cartoonist, widely recognized for his work in several leading periodicals during the late nineteenth and early twentieth centuries. He was born in Pottsville, Pennsylvania, and received his early schooling in the New York City school system, an environment rich in culture that likely played a role in shaping his artistic direction. He later pursued formal art studies in Munich, a city celebrated for its lively art community and esteemed academies.

Ehrhart built his reputation in the fields of caricature and satire as his illustrations and cartoons were published broadly. His initial pieces were featured in Harper's Monthly during 1878 and 1879. At the time, Harper’s Monthly stood out as a premier magazine noted for its outstanding literary works and illustrations, providing Ehrhart with a prominent stage to exhibit his talent.

He is most notably associated with the influential satirical magazine Puck, contributing in 1880 and then regularly from 1888 to 1913. Puck gained fame for its vivid political cartoons and for shaping public opinion during a transformative period in American politics and culture. Ehrhart’s work, often marked by incisive wit and social critique, exemplified the magazine’s established reputation.

Besides his extensive contributions to Puck, Ehrhart's illustrations were also published in Judge in 1887, another important humor magazine of the era. After a distinguished career that made a lasting mark on the field of American cartooning, Samuel Ehrhart died in Brooklyn, New York, on October 26, 1937. His influence endures in the realm of visual humor and political satire that continues to shape American media today.